Did you know that I do custom portraits of you and your loved ones? I'm not sure if that message has been made clear enough. So Sarah and Stuart, the amazing film makers at Blue Fern Productions, helped me make this video to explain the portraits and give a better context. Details and photographic guidelines are on the website.
Wednesday, February 26, 2014
A tour of Custom Portraits. How to hire me.
Did you know that I do custom portraits of you and your loved ones? I'm not sure if that message has been made clear enough. So Sarah and Stuart, the amazing film makers at Blue Fern Productions, helped me make this video to explain the portraits and give a better context. Details and photographic guidelines are on the website.
Friday, February 21, 2014
FIRST VIDEO coming soon!!!!!
Yesterday we filmed an interview where I talk about my paintings and process. It was fabulous to articulate my goals for my custom portrait work that I want to share. But I was intimidated for about the first 20 minutes. Finally I let go and started to talk normally (rather than slowly, cautiously and using a bazillion words). I hope the finished video will be ready to show within the next week!!
By the end what had taken sentences just took a single sentence. I'm excited to build speaking skills!! See you soon!!!
By the end what had taken sentences just took a single sentence. I'm excited to build speaking skills!! See you soon!!!
Saturday, February 15, 2014
Sophia Leads the Way
Sophia- Another portrait I finished for the Portrait Series I've been working on. If you'd like a custom portrait please visit my website. All the details and a link for us to get started working together are available. OR you can e-mail me at barbara@barbaraferrier.com and we'll talk.
Your comments are welcome and valued.
Friday, February 7, 2014
Bike Rider
The Bike Rider has a special place in our hearts. We remember biking our whole lives. There was the Big Trip that stands out. For me it was biking from Seattle to northern Vancouver Island, camping on San Juan Islands, pedaling past fields of grain and fruit and singing at the campfire at night. My rider Jazelle expands our reach into the Land of Kalendra. This'll be an adventure to remember. $1150.00
Tuesday, February 4, 2014
Kassara, the heroine of the Kalendra story

Wednesday, January 29, 2014
This project is called The Land of Kalendra. Enjoy!!
Your comments are definitely valued and appreciated.
Labels:
1c Portraits,
3a Stories,
3c Available,
beautiful woman,
Canvas
Monday, January 20, 2014
Lighting Approaches
$1250
I went to a concert in West Seattle where my favorite band Cloud Cult was playing. It was their first acoustic concert so they weren't expecting many people. They performed at the Arts in Nature festival the day after performing at the Seattle Center. Of course everyone wanted to be there!! The small community center they performed in was surrounded by a crowd because there was only room for about 80 people inside. The windows were open with people standing in the gardens outside and on the grounds. It was like the whole city had come to listen to them perform in what felt like a living room. We spent the day at the festival so we could be sure we were the first in line for Cloud Cult's concert. We earned our front row seats! They are all such amazing performers and kind people it was a real treat to be part of their first acoustic performance. My youngest daughter even made it her mission to give each of them a hug by the time we left that evening. It was very memorable.
The band performed as the sunset streamed in through the window. The 'golden hour' light that lasts so long on an August night was spectacular. That was when the photograph was taken that I based this painting on. Shannon Frid, their amazing violinist, was sitting near that window and had the lighting streaming across her face. When I first painted this I tried to paint the light coming through the window - but really it was too much detail and a distraction from her beautiful face. So I chose to use light rays more similar to a stage performance as a simple background.
I went to a concert in West Seattle where my favorite band Cloud Cult was playing. It was their first acoustic concert so they weren't expecting many people. They performed at the Arts in Nature festival the day after performing at the Seattle Center. Of course everyone wanted to be there!! The small community center they performed in was surrounded by a crowd because there was only room for about 80 people inside. The windows were open with people standing in the gardens outside and on the grounds. It was like the whole city had come to listen to them perform in what felt like a living room. We spent the day at the festival so we could be sure we were the first in line for Cloud Cult's concert. We earned our front row seats! They are all such amazing performers and kind people it was a real treat to be part of their first acoustic performance. My youngest daughter even made it her mission to give each of them a hug by the time we left that evening. It was very memorable.
The band performed as the sunset streamed in through the window. The 'golden hour' light that lasts so long on an August night was spectacular. That was when the photograph was taken that I based this painting on. Shannon Frid, their amazing violinist, was sitting near that window and had the lighting streaming across her face. When I first painted this I tried to paint the light coming through the window - but really it was too much detail and a distraction from her beautiful face. So I chose to use light rays more similar to a stage performance as a simple background.
Friday, January 17, 2014
Chiaroscuro Portraits
I have made some serious changes and now it's time to renew this blog (which I admit I abandoned for some time). I have been focusing on my portraits for the past several months. It definitely felt that was the direction my energies needed to flow. A collection of these portraits are at my website www.barbaraferrier.com.
I was asked the other day if there was one thing I really wanted to do with my paintings – and honestly I’d have to say I want to improve my lighting techniques and the atmosphere of the paintings. I’ve always loved the work of Rembrandt and Rubens and their contemporaries in the 1400 -1600’s. Oh, yeah, it's also the lighting that is used in Film Noir, and in fact dramatic film, period. No matter how modern painting and design gets, there’s something timeless about the amazing chiaroscuro lighting that has been passed down for centuries. It’s definitely a keeper! And I’m increasing my use of it in my portraits. Next up for me: the shape of light!!!
Labels:
1c Portraits,
Acrylic,
Canvas,
Chiaroscuro,
Contemporary,
Film Noir,
Lighting,
Portrait,
Rembrandt,
Rubens
Friday, April 10, 2009
Monday, October 27, 2008
SHOW UPDATE
Just wanted to let everyone know that I have 3 shows coming up before the end of 2008.
1. Best of the Northwest, November14, 15, 16
It will be at the Exhibition Hall, Seattle Center
2. Studio Sale Saturday, December 6 2 - 8pm
Sunday, December 7 12 - 5pm
And by appointment through Dec. 22
3. Pratt Fine Arts Center Holiday show and sale
Opening Night Friday, December 5th
Sale runs December 6 - 7 10am - 7pm
also December 11 - 14 10am - 7pm
I sincerely hope to see you at one of these events. Please note, while I will attend the Pratt opening, I will be at my studio show that weekend. Barbara
1. Best of the Northwest, November14, 15, 16
It will be at the Exhibition Hall, Seattle Center
2. Studio Sale Saturday, December 6 2 - 8pm
Sunday, December 7 12 - 5pm
And by appointment through Dec. 22
3. Pratt Fine Arts Center Holiday show and sale
Opening Night Friday, December 5th
Sale runs December 6 - 7 10am - 7pm
also December 11 - 14 10am - 7pm
I sincerely hope to see you at one of these events. Please note, while I will attend the Pratt opening, I will be at my studio show that weekend. Barbara
Wednesday, October 22, 2008
Friday, October 17, 2008
Eternal Sunset

Eternal Sunshine - acrylic on canvas - 24 x 24 x 3 - $1575
From the Coastal Impressions series
Remember our time at the beach
Exploring endless trails and
Watching the sunset together?
I loved how time stood still
It was as if we lived in ancient times and
Centuries from now all at once.
The sun bathes the earth in
A symphony of color
That memory’s ours forever.
Barbara Ferrier
Friday, August 22, 2008
The Vineyard

"The Vineyard" acrylic on aqua canvas 24x36 $1725
The Vineyard Series:
Dad and I crushed ripe grapes with a baseball bat
Out in the garage. We were making wine.
The aroma of crushed grapes was everywhere
Dad loved his hobby and it took on a life of its own.
His friends liked making and drinking wine too.
They bought a farm in Sunnyside, Washington to
Grow their own wine grapes.
We’d drive from Seattle through steep, rocky passes by Mount Rainier, to the dry side of the mountains. We’d pick juicy peaches, pears and cherries. We’d always stop at the
Best Mexican restaurant ever just off the road.
The vineyards and farmland were beautiful.
And seemed to go on forever
Barbara Ferrier
Monday, July 21, 2008
Inspirations
Last week I took my family backpacking down the coast of Washington State - beginning about 12 miles south of the NW tip. The place is called Cape Alava and is the westerly most point of Washington State. What a huge inspiration!!!!! Between the natural beauty, the wildlife and the petroglyphs, it was hard to ask for more (except maybe a lighter back pack!) It wasn't a huge trip hiking wise, only about 12 miles over a few days. But it was very rich experience-wise.
I worked at an archaeological dig on the Ozette Indian Reservation, just north of Cape Alava, in 1980. An Indian village was buried by a mud slide 500 years ago. The mud made an oxygen tight seal. Fragile things, like cedar bark baskets were found, filled with clams on benches inside houses. It was almost Pompeii like in its complete preservation. I worked mostly as a tour guide at that site (because the other archaeologists didn't like giving tours and I loved it.)
A few days ago I met a man while walking on the Ozette beach. He had photographs taken in 1875 of the village built to replace the buried one. No doubt the photographer was traveling with fur traders. There were images of the canoe put in and the people who lived there.
The fresh trail inspirations will soon be paintings. Enjoy!
I worked at an archaeological dig on the Ozette Indian Reservation, just north of Cape Alava, in 1980. An Indian village was buried by a mud slide 500 years ago. The mud made an oxygen tight seal. Fragile things, like cedar bark baskets were found, filled with clams on benches inside houses. It was almost Pompeii like in its complete preservation. I worked mostly as a tour guide at that site (because the other archaeologists didn't like giving tours and I loved it.)
A few days ago I met a man while walking on the Ozette beach. He had photographs taken in 1875 of the village built to replace the buried one. No doubt the photographer was traveling with fur traders. There were images of the canoe put in and the people who lived there.
The fresh trail inspirations will soon be paintings. Enjoy!
Wednesday, July 2, 2008
Monday, June 30, 2008
About this Blog
Unlike my website, this blog includes several approaches to painting all in one long stream. For example, my daily paintings are very spontaneous for the most part. I think of them as painted 'sketches.' My larger, more detailed paintings are also here, but included far less frequently.
As you read through this blog, you'll find that there are a lot of references to early experiences that shaped my approach and outlook. They're not chronological by any means. At my website, www.barbaraferrier.com you'll find my Bio is far more chronological. Some of the early experiences - like the desire to improve, and artists who inspired me - never go away - but the list of those I admire increases constantly. In the meantime I have some landscapes to (hopefully) post by Friday!!!
As you read through this blog, you'll find that there are a lot of references to early experiences that shaped my approach and outlook. They're not chronological by any means. At my website, www.barbaraferrier.com you'll find my Bio is far more chronological. Some of the early experiences - like the desire to improve, and artists who inspired me - never go away - but the list of those I admire increases constantly. In the meantime I have some landscapes to (hopefully) post by Friday!!!
Sunday, June 22, 2008
Barbara's Definition of Art
Balancing intuition, ingenuity and skill to make an impact on the audience is perhaps my ultimate definition of art. Each art trade has its tools. When these 3 components come together with the right balance it feels like 'skiing in the fresh powder.' Even if you have a spectacular wipe out from time to time, which is part of the process, it's just a matter of fine tuning to pick it back up.
When defining 'art' I refer to my experiences in film and stage, as well as my experiences painting. For example the character development of an actor, or timing and story telling for a film director are their art.
Painting, like film, has the opportunity to open up whole new worlds that the mind can enter. That is the part of the field that I value the most.
When defining 'art' I refer to my experiences in film and stage, as well as my experiences painting. For example the character development of an actor, or timing and story telling for a film director are their art.
Painting, like film, has the opportunity to open up whole new worlds that the mind can enter. That is the part of the field that I value the most.
Friday, June 20, 2008
Fusion Art
I lived in a farming village in the Katmandu Valley of Nepal and made a film about art in that country while painting a series of landscape paintings. Nepal is a country the size of Tennessee with 550 separate languages. From the jungles in the south to Mt. Everest in the north, it’s not an easy place to get around. Nepal had no western influences until the late 60's. (I was there just 10 years later, in 1979, before running water or reliable electricity.) Traditional arts (on the streets and in the temples) had to transcend language and cultures to influence a very diverse group of people. This explains why some of the traditional artwork is so powerful.
I was most attracted to and influenced by the Nepalese use of color. I believe the strong color captures and helps to convey an emotional truth and transport the viewer. For me color is an essential part of visual language.
My paintings are really a ‘fusion art,’ the visual counterpart to today’s modern fusion music. It’s not really ‘outsider art’ because I’m not self taught. I have a fine art degree in painting and in film making. But the influences that changed my life and made my artwork such a fusion started with my trip to Nepal and the decision to study art through cultural anthropology. After that I traveled extensively and worked on an archeology site on the coast of Washington state and spent years in New Mexico.
I was most attracted to and influenced by the Nepalese use of color. I believe the strong color captures and helps to convey an emotional truth and transport the viewer. For me color is an essential part of visual language.
My paintings are really a ‘fusion art,’ the visual counterpart to today’s modern fusion music. It’s not really ‘outsider art’ because I’m not self taught. I have a fine art degree in painting and in film making. But the influences that changed my life and made my artwork such a fusion started with my trip to Nepal and the decision to study art through cultural anthropology. After that I traveled extensively and worked on an archeology site on the coast of Washington state and spent years in New Mexico.
Tuesday, May 6, 2008
How it all Began
I began painting in response to an accident that paralyzed my left hand (for several months). That was years ago!! I had been seriously studying acting and film making, and had the instant realization that my training was intended to be transferred to canvas. It wasn't even a decision - no debate. The accident was perfectly timed as I was on my way to college. I didn’t ‘know’ how to draw or paint. I had stopped trying like most kids around 3rd grade.
I sat down with with 'Yes' Album covers - whose artwork on the cover and accompanying posters were created by artist Roger Dean. I enjoying the process and was very easy on myself. I felt it was my purpose to 'figure it out.'
I took a class at college from a gentleman who changed my life. His name was Carl Hertel. He taught at the Claremont Colleges. He never taught 'how to.' He simply asked really hard questions and waited patiently. I think he believed we knew more than we gave ourself credit for. As he became the expectant student who could not answer his questions for us, we all thrived and embraced his challenge. While he was teaching us some pretty complex brain science - optical illusions, visual perception - he helped us make a habit of noticing small details. Meanwhile he seemed to be raising the self-esteem of our whole class. I know the other students were equally amazed at how he so gently nudged us to learn more than we knew we could.
About 5 years ago he came back to the college to speak. He was in his 80's and as wise as ever. (Former) students flew in from around the country. It felt like no time had passed at all. I give Carl a great deal of credit for continuing to inspire me today and will always be thankful to him.
I sat down with with 'Yes' Album covers - whose artwork on the cover and accompanying posters were created by artist Roger Dean. I enjoying the process and was very easy on myself. I felt it was my purpose to 'figure it out.'
I took a class at college from a gentleman who changed my life. His name was Carl Hertel. He taught at the Claremont Colleges. He never taught 'how to.' He simply asked really hard questions and waited patiently. I think he believed we knew more than we gave ourself credit for. As he became the expectant student who could not answer his questions for us, we all thrived and embraced his challenge. While he was teaching us some pretty complex brain science - optical illusions, visual perception - he helped us make a habit of noticing small details. Meanwhile he seemed to be raising the self-esteem of our whole class. I know the other students were equally amazed at how he so gently nudged us to learn more than we knew we could.
About 5 years ago he came back to the college to speak. He was in his 80's and as wise as ever. (Former) students flew in from around the country. It felt like no time had passed at all. I give Carl a great deal of credit for continuing to inspire me today and will always be thankful to him.
Sunday, April 27, 2008
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